jason kashner

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Moving forward with my DJ career.  looking to make some professional connections

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**Tascam DR-40mkII** and **Shure SM7B**: a match made in audio heaven for mobile podcasting. Here's the thing, though - those two components alone would already push the weight limits of most backpacks. To create a bulletproof mobile podcasting setup, you'll need to get strategic with your gear choices and learn how to optimize your signal chain.

One pro tip is to consider a **Focusrite Scarlett 2i2** interface instead of a dedicated audio recorder like the **Zoom H5**. This might sound counterintuitive, since the H5 has an awesome preamp built-in, but when working in a live recording situation, it's hard to beat the flexibility of an interface with USB connectivity. Plus, you'll save yourself from dealing with all the quirks of a dedicated recorder.

So here's how you could assemble this rig:

  • **Rode NT-USB microphone**: compact, robust, and takes up minimal real estate
  • - **Behringer Q850 headphones**: they're surprisingly good quality for their price and won't break the bank
  • - **Rapoo E616 wireless earbuds**: these offer great noise isolation while allowing you to monitor your audio discreetly
  • - **Anker PowerCore 20000 portable power bank**: keep your **iPad** or **Android tablet** charged all day long

Time to get building and optimize your setup for the road.

Resource of the Day: [YouTube Search: "Mobile Podcasting Setup Backpack"](https://www.youtube.com/results?search_query=mobile+podcasting+setup+backpack)

The idea of a dedicated streaming PC has been swirling around streaming circles for a while now. And why not? The **Intel Core i9-12900K** and its ilk can breathe new life into your rig when it comes to crunching game audio and compressing video. The only issue is whether you have the budget for another high-end machine.

For those who already have a primary box, upgrading to a secondary can help offload some of the computational stress. Plus, having a dedicated beast just for streaming means you can focus on your game audio quality (48 kHz, 24-bit, no latency, for those who care) and leave everything else to run smoother on your primary machine. Here's a pro tip: Consider running your secondary PC on Linux, which is much lighter on resources and requires less maintenance than Windows. Just make sure you have the right software to support a 4K stream!

Resource of the Day: "How to Build a Streaming PC for Low Latency" - https://www.youtube.com/results?search_query=build+low+latency+streaming+pc

Automating sound effects in your podcast or stream using the **Rodecaster Pro II** is a breeze – but only if you're willing to dive into its surprisingly robust effects suite. Here's the thing: most people use the **Rodecaster Pro II** for voice-overs, mixing, and basic processing, but it's also got some awesome features for triggering those sweet sound effects.

My pro tip: to make the most of the **Rodecaster Pro II**'s effects automation, use the 'Envelope' feature to create custom curves for your sound effects tracks. This lets you dynamically control volume, filtering, and even delay – giving you way more creative freedom than any basic fade-in/fade-out script.

Want to learn more about using the **Rodecaster Pro II**'s effects to elevate your sound design? Check out the Rodecaster Pro II tutorial on Sound Design Live, which shows you how to automate everything from sound effects to music transitions.

https://www.youtube.com/results?search_query=Rodecaster+Pro+II+automate+sound+effects

Gaming headsets are notorious for having some of the worst microphones out there – especially for pros who need clear, crisp audio. It's like putting a high-end camera lens on a flip phone: great lenses, but the overall image quality suffers. The **HyperX Cloud II**, **SteelSeries Arctis 7**, and **Turtle Beach Recon 200** are a few examples of gaming headsets with decent sound, but terrible mics.

Pro tip: If you must use a gaming headset for recording, try flipping it around – literally. Use the speaker side as the mic input. The mic is usually crappier on the actual input side, so flipping it around might give you a slightly better pickup. Be aware that this will also mute the audio from the speakers since it's flipped, so you might need a separate output set up.

The EV RE20's reign in broadcast is coming to an end. I've seen it time and time again: **Shure SM7B**'s warm, dynamic sound is seducing more and more engineers, and for good reason - it's a beast in terms of capturing a clear, full-bodied vocal. Meanwhile, the **Electro-Voice RE20** still has its fans, particularly when it comes to radio broadcasting with limited space and high signal-to-noise ratios.

Here's a pro tip: When switching between microphones, remember to adjust your preamp gain accordingly. The **SM7B** needs more love in this department, while the **RE20** can handle a bit more abuse before turning into a hiss factory. Play with those gain settings, and you'll find your sound sweet spot.

Resource of the Day:

https://www.youtube.com/results?search_query=sm7b+vs+re20+broadcast+tutorial

**Rethinking the Standard Setup: Ditch the Desk Stand for a Low-Profile Mic Arm**

Are you still lugging around a standard desk stand for your **Blue Yeti** or **Rode NT-USB**? It's time to consider upgrading to a low-profile mic arm. Not only do these sleek arms free up precious desk space, but they also provide more flexibility in your workflow. Gone are the days of awkwardly adjusting your mic stand to avoid getting in the way of your keyboard or monitor.

With a low-profile mic arm, you can place your **HyperX QuadCast Gaming Microphone** where you need it, without sacrificing valuable desk real estate. Plus, these arms usually come with a built-in shock mount to reduce vibrations and noise. **Pro Tip:** When attaching your mic arm to a desk, use a small amount of anti-vibration rubber pads or put it on a desk with a soft surface to help it stay in place.

Resource of the Day: **Best Desktop Boom Arms for Home Studio** | YouTube Search

Too many streamers are falling into the over-automation trap - they're relying too heavily on **Elgato StreamDeck** macros to the point where their chat feels like it's experiencing a rehearsed play. Don't get me wrong, macros can be super useful for repetitive tasks or quick transitions, but when they start replacing genuine interactions, that's when the problem arises. Your viewers will notice a lack of spontaneity and it'll feel more like a pre-recorded video than a live stream.

Here's a pro tip to help you avoid this trap: make sure to regularly go **manual mode** on your StreamDeck and force yourself to do tasks the old-fashioned way for a few stream sessions a week. This will help you stay connected to your chat and keep your streams feeling more organic. Trust me, your viewers will appreciate it.

Resource of the Day: Watch "5 Mistakes Beginners Make with Elgato StreamDeck" on YouTube.

The Heil PR40 is a behemoth of a microphone that's been terrorizing podcasting spaces for decades with its incredibly clear and nuanced pickups. I've seen many deep-voiced podcasters swear by this thing, and for good reason – it's like they're plucking notes from a fine instrument. The PR40's dynamic frequency response range really brings out the best in rich, resonant baritones, and it's not uncommon to see pro podcasters using this mic as their go-to for voice-overs and interview-style content.

One pro tip for PR40 owners (or aspiring owners) is to experiment with the mic's proximity – you can get some seriously amazing results by placing it a teensy bit closer than usual. **Heil PR40** microphones, when used within 6-8 inches of a source, tend to really isolate the speaker's formants and capture a whole lot of warmth. Just be mindful of plosive pops and sibilance; you might want to slap on a windscreen or pop filter for optimal results.

Resource of the Day:

**Heil PR40 Review and Demo** - https://www.youtube.com/results?search_query=heil+pr40+review+demo

I've seen too many streamers and YouTubers crippled by a flimsy boom arm that compromises their desk ergonomics. Don't even get me started on the strain it puts on your neck and shoulders.

A high-quality boom arm is no optional accessory – it's the backbone of your microphone setup. Look for a sturdy arm with a smooth pivot point and enough adjustability to position your mic perfectly. I personally swear by the **Heil PL-2T**, but the **Rode NT-USB's** built-in arm is also great. The goal here is to position the mic an inch away from your mouth, perpendicular to your face. That sweet spot is key to clear, crisp audio and reduced distortion.

Pro Tip: When adjusting the boom arm, pay attention to the mic's placement relative to your mouth. Make sure the mic grille is directly in line with your mouth's center. It may take some experimentation, but trust me – it's worth the extra time.

Resource of the Day: "Ultimate Microphone Desk Setup for Clear and Crisp Audio" - YouTube search

**Ditch the Software Mixer: Why a Dedicated Multi-Channel Hardware Mixer Reigns Supreme**

I've seen it time and time again: producers and podcasters diving headfirst into software routing solutions, convinced they'll save money and simplify their workflow. But trust me, if you're serious about delivering top-notch audio, you need a dedicated multi-channel hardware mixer. The quality, reliability, and flexibility of hardware just can't be beat by software alone.

Here's the deal: with software routing, you're at the mercy of your software, hardware, and the complex signal chain it creates. With a dedicated mixer, you have direct, hands-on control over every aspect of your audio, allowing for precision, clarity, and a level of depth you just can't replicate with software. Plus, a good hardware mixer can handle a wide range of inputs and outputs with ease, making it perfect for larger setups or complex productions. My pro tip? **Use your hardware mixer as a secondary router**, feeding in external audio signals and using the software as a primary mixer to create a hybrid system that offers the best of both worlds.

**Resource of the Day**: Check out this review by **Sound on Sound** to see how a **Behringer X32** multi-channel hardware mixer compares to software routing solutions – [search "Behringer X32 review Sound on Sound"](https://www.youtube.com/results?search_query=Behringer+X32+review+Sound+on+Sound)

The Zoom H6 is still the gold standard for portable recording, but how does it stack up against those fancy smartphone setups? In my latest tests, I've been pitting the H6 against a top-of-the-line smartphone rig, and the results are telling.

The H6 still reigns supreme in terms of sound quality, with its built-in preamps and X-Y, Mid-Side, and stereo miking options offering unparalleled flexibility. But the smartphone setup can keep up in many ways - specifically when using high-end smartphone adapters like the **Rode SmartLav+** and a separate lavalier microphone. With a bit of creativity, those phone setups can deliver surprisingly good results in situations where lugging around the H6 just isn't feasible.

Pro tip: Always remember to match the impedance of your microphone to the adapter or device it's connected to. It's a small thing, but mismatched impedances can lead to noise, distortion, or even damage to your gear.

Resource of the Day: **"Smartphone vs. Portable Recorder - Audio Quality Smackdown"** [YouTube search](https://www.youtube.com/results?q=smartphone+vs+portable+recorder)

You're shelling out thousands for an **Universal Audio Apollo X** but somehow thinking poor room acoustics won't affect your sound quality? That's like trying to get a perfect espresso shot without proper espresso machine calibration – it's just not happening.

Here's the thing: a $5,000 audio interface can only do so much when it's sitting on a cluttered desk in a room with untreated surfaces that create a cacophony of echo and resonance. Your expensive preamps are basically just amplifying a mess. Get your room treated – or, at the very least, invest in basic DIY solutions like mass-loaded vinyl or a portable vocal booth. Trust me, your ears (and wallet) will thank you.

Pro tip: Use Owens Corning 703 acoustic insulation for your DIY room treatments. It's cheap, relatively effective, and can be easily integrated into your existing room setup.

Resource of the Day: "Basic Home Studio Acoustic Treatment" – search for this on YouTube